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You've selected:
Paul Wehage (édition)
Sheetmusic to print
77 sheet music found
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J. S. Bach : Allegro from the Sonata no. 2 in a minor, bwv 1003, arranged by Paul Wehage for solo s
J. S. Bach : Allegro from the Sonata no. 2 in a minor, bwv 1003, arranged by Paul Wehage for solo s
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Saxophone Quartet: 4 saxophones
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ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
was 
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J. S. Bach : Allegro from the
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534745 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.534745 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 5 pages. Musik Fabrik Music Publishing #6607863. Published by Musik Fabrik Music Publishing (A0.534745). This movement was required repertoire on the 2022 ASAX saxophone competition in France. Useful as an audition or examination piece. The complete sonatas and partitas, bwv 1001-1006 arranged for saxophone by Paul Wehage is alos available on this site.
$7.75 ≈
7.23€
Georg Philipp Telemann: 12 Fantasias for Flute without Bass, TWV 40:2-13, edited by Paul Wehage
Georg Philipp Telemann: 12 Fantasias for Flute without Bass, TWV 40:2-13, edited by Paul Wehage
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Flute
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Georg Philipp Telemann
#
Paul Wehage
#
Georg Philipp Telemann: 12 Fan
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Flute Solo - SKU: A0.533360 Composed by Georg Philipp Telemann. Arranged by Paul Wehage. Baroque,Concert,Instructional,Standards. Individual part. 27 pa...
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Flute Solo - SKU: A0.533360 Composed by Georg Philipp Telemann. Arranged by Paul Wehage. Baroque,Concert,Instructional,Standards. Individual part. 27 pages. Musik Fabrik Music Publishing #2523815. Published by Musik Fabrik Music Publishing (A0.533360). G. P. Telemann's masterpiece for solo, in a new edition by woodwind specialist Paul Wehage. The works consists of twelve multi-movement works: Fantasia in A major (Vivace—Allegro)Fantasia in A minor (Grave—Vivace—Adagio—Allegro)Fantasia in B minor (Largo—Vivace—Largo—Vivace—Allegro)Fantasia in B-flat major (Andante—Allegro—Presto)Fantasia in C major (Presto—Largo—Presto—Dolce—Allegro—Allegro)Fantasia in D minor (Dolce—Allegro—Spirituoso)Fantasia in D major (Alla francese—Presto)Fantasia in E minor (Largo—Spirituoso—Allegro)Fantasia in E major (Affettuoso—Allegro—Grave—Vivace)Fantasia in F-sharp minor (A Tempo giusto—Presto—Moderato)Fantasia in G major (Allegro—Adagio—Vivace—Allegro)Fantasia in G minor (Grave—Allegro—Grave—Allegro—Dolce—Allegro—Presto)
$12.95 ≈
12.09€
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- arranged for S
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- - S
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Jan Pieterszoon Sweelinck
#
Paul Wehage
#
Jan Pieterszoon Sweelinck/Paul
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532731 Composed by Jan Pieter...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532731 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Renaissance,Sacred,Standards. 26 pages. Musik Fabrik Music Publishing #1913. Published by Musik Fabrik Music Publishing (A0.532731). Jan Pieterszoon Sweelinck (/ˈjɑːn ˈpiːtərsoʊn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This version is for SATB saxophone quartet.
$20.75 ≈
19.37€
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Jan Pieterszoon Sweelinck
#
Paul Wehage
#
Jan Pieterszoon Sweelinck/Paul
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.532704 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and p...
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Concert Band - Level 4 - SKU: A0.532704 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #1769. Published by Musik Fabrik Music Publishing (A0.532704). Jan Pieterszoon Sweelinck Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score only. There is another with the score plus the performance parts and also the individual parts are for sale.
$22.05 ≈
20.58€
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Jan Pieterszoon Sweelinck
#
Paul Wehage
#
Jan Pieterszoon Sweelinck/Paul
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.532705 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and p...
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Concert Band - Level 4 - SKU: A0.532705 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 91 pages. Musik Fabrik Music Publishing #1771. Published by Musik Fabrik Music Publishing (A0.532705). Jan Pieterszoon Sweelinck (/ˈjɑːn ˈpiːtərsoʊn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score plus all of the parts. There is another with the score only and the individual parts are for sale.
$65.00 ≈
60.67€
Franz Wilhelm Ferling: 3 Duos Concertants for 2 Oboes, Op. 13 , edited by Paul Wehage
Franz Wilhelm Ferling: 3 Duos Concertants for 2 Oboes, Op. 13 , edited by Paul Wehage
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Oboe (band part)
#
INTERMEDIATE
#
Franz Wilhelm Ferling
#
Paul Wehage
#
Franz Wilhelm Ferling: 3 Duos
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.533245 Composed by Franz Wilhelm Ferling. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Individual part. 96 ...
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Oboe Solo - Level 3 - SKU: A0.533245 Composed by Franz Wilhelm Ferling. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Individual part. 96 pages. Musik Fabrik Music Publishing #2151105. Published by Musik Fabrik Music Publishing (A0.533245). Ferling was one of the most important oboists of the Romantic period. The three Duos Concertantes for 2 oboes are all written in three movements. This edition provides a score and two seperate oboe parts.
$16.95 ≈
15.82€
Paul Wehage : The Twelve Days Of Christmas, arranged for concert band, complete woodwind parts
Paul Wehage : The Twelve Days Of Christmas, - concert band, complete woodwind parts
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Concert band
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Traditional
#
Paul Wehage
#
Paul Wehage : The Twelve Days
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.532929 Composed by Traditional. Arranged by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 63 page...
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Concert Band - Level 4 - SKU: A0.532929 Composed by Traditional. Arranged by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 63 pages. Musik Fabrik Music Publishing #419783. Published by Musik Fabrik Music Publishing (A0.532929). Starting from the traditional Christmas carol, this arrangement quotes from a number of classical composers (Wagner, Tchaikovsky, Bach) and goes through a number of musical styles (from medieval music to 1920's Jazz) to underline the humourous idea of such an accumulation of disparate objects suggested by the song. This is the complete set of woodwind partsonly. The score and brass and percussion parts are available as two seperate items. The individual parts are available as well. This set contains : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone l duration : ca 7'00.
$29.95 ≈
27.95€
Paul Wehage : The Twelve Days Of Christmas, arranged for concert band, complete brass and percussion
Paul Wehage : The Twelve Days Of Christmas, - concert band, complete brass and percussion
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Traditional
#
Paul Wehage
#
Paul Wehage : The Twelve Days
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.532930 Composed by Traditional. Arranged by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 63 page...
(+)
Concert Band - Level 4 - SKU: A0.532930 Composed by Traditional. Arranged by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 63 pages. Musik Fabrik Music Publishing #419785. Published by Musik Fabrik Music Publishing (A0.532930). Starting from the traditional Christmas carol, this arrangement quotes from a number of classical composers (Wagner, Tchaikovsky, Bach) and goes through a number of musical styles (from medieval music to 1920's Jazz) to underline the humourous idea of such an accumulation of disparate objects suggested by the song. This is the complete set of brass and percussion parts only. The full score woodwind parts are available as two seperate items. The individual parts are available as well. This set contains: Cornet I, II and III Bb Trumpet I and II F Horn I and II Trombone I, II and III Baritone I and II (BC in C and TC in Bb parts) Tuba Timpani Percussion 1: snare drum, triangle, 2 temple blocks Percussion II: crash cymbals, suspended cymbal, bass drum, three toms, woodblock Percussion III: xylophone, marimba, chimes, glockenspiel duration : ca 7'00.
$29.95 ≈
27.95€
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for Bb clarinet and piano
Paul-Agricole GÃNIN: Air Florentin avec Variation Opus 65 for Bb clarinet and piano
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Clarinet
#
INTERMEDIATE
#
Paul-Agricole Génin
#
Paul Wehage
#
Paul-Agricole GÃNIN: Air Fl
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.533254 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. ...
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Clarinet,Piano - Level 3 - SKU: A0.533254 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 12 pages. Musik Fabrik Music Publishing #2151123. Published by Musik Fabrik Music Publishing (A0.533254). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95 ≈
9.29€
Paul-Agricole Génin: Cantilène, Opus 64 for Bb clarinet and piano
Paul-Agricole Génin: Cantilène, Opus 64 for Bb clarinet and piano
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Clarinet
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INTERMEDIATE
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Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole Génin: Cantil
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.533251 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. ...
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Clarinet,Piano - Level 3 - SKU: A0.533251 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151117. Published by Musik Fabrik Music Publishing (A0.533251). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95 ≈
9.29€
Paul-Agricole Génin: Mélodie avec variation, opus 63, for Bb clarinet and piano
Paul-Agricole Génin: Mélodie avec variation, opus 63, for Bb clarinet and piano
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Clarinet
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INTERMEDIATE
#
Paul-Agricole Génin
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Paul Wehage
#
Paul-Agricole Génin: Mél
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.533247 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. ...
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Clarinet,Piano - Level 3 - SKU: A0.533247 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151109. Published by Musik Fabrik Music Publishing (A0.533247). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95 ≈
9.29€
Paul-Agricole GÉNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
Paul-Agricole GÃNIN: Air Florentin avec Variation Opus 65 for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Paul-Agricole Génin
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Paul Wehage
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Paul-Agricole GÃNIN: Air Fl
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533256 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533256 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151127. Published by Musik Fabrik Music Publishing (A0.533256). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Cantilène, Opus 64) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95 ≈
9.29€
Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
Paul-Agricole Génin: Cantilène, Opus 64 for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Paul-Agricole Génin
#
Paul Wehage
#
Paul-Agricole Génin: Cantil
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533253 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533253 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151121. Published by Musik Fabrik Music Publishing (A0.533253). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Mélodie avec Variation, Opus 63 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95 ≈
9.29€
Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
Paul-Agricole Génin: Mélodie avec variation, opus 63, for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Paul-Agricole Génin
#
Paul Wehage
#
Paul-Agricole Génin: Mél
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533249 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533249 Composed by Paul-Agricole Génin. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #2151113. Published by Musik Fabrik Music Publishing (A0.533249). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was first published by Richault with two other pieces (Cantilène, Opus 64 and Air Florantin, Opus 65) as Three character pieces, although the three works were sold seperately. The piano part for all three versions (for alto saxophone, Bb Clarinet or Bb cornet) remains the same.
$9.95 ≈
9.29€
Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Solo de Concours
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Paul Wehaeg
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Paul-Agricole Génin: Solo d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged...
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Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.
$12.95 ≈
12.09€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, bari
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.82€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, sopr
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.82€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, alto
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.82€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, teno
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.82€
Karl August Hermann : Kinund Kinnas (A Lost Glove) for piano
Karl August Hermann : Kinund Kinnas (A Lost Glove) for piano
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Easy Piano
#
BEGINNER
#
Nicolas Horvath
#
Paul Wehage (édition)
#
Karl August Hermann : Kinund K
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1389518 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultu...
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Easy Piano - Level 1 - SKU: A0.1389518 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultural,Romantic Period,World. Score. 3 pages. Musik Fabrik Music Publishing #973104. Published by Musik Fabrik Music Publishing (A0.1389518). Karl August Hermann is considered to be one of the fathers of the Estonian Language. Mainly known for his choral music, he also wrote a series of works for solo piano. These works were recorded in 2018 by Nicolas Horvath for the Toccata Classics label in 2018.
$7.35 ≈
6.86€
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